Showing posts with label exhibits. Show all posts
Showing posts with label exhibits. Show all posts

Thursday, January 22, 2015

Sabbatical Musings


I've been away for some time, mostly on sabbatical, but occupied with other things as well. This post originally appeared on our departmental blog, "Primary Sourcery," last November. Now that I'm back, I hope to post on a regular basis.

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In early 2013 the annual call went out from Wendy Lougee, University Librarian, for professional development leave proposals, otherwise known in academic circles as sabbaticals. Having been at the University for seventeen years, I thought it was time I applied for such a leave. My only other extended leave, granted in 2001 under different circumstances and partially supported by the University’s Modern Greek Studies Program, was a five week intensive summer program in Greece conducted by the Freie Universität (Free University) of Berlin. In those five weeks I attempted to learn (at a beginner’s level) modern Greek. This time I had something different in mind.

Longevity does not guarantee acceptance of a leave proposal. University Libraries policies on these types of leaves are clear in their purpose and expectation. “Professional development leaves are provided as an opportunity for Professional and Administrative (P/A) staff to enhance their professional knowledge, skills, and performance related in a substantial manner to the individual’s role or potential role in the University Libraries. These leaves are designed to bring benefit to the individual, the unit and the institution. Leaves of this type are not entitlements and do require approval.” The approval process is not easy, nor should it be. My application went through a number of revisions and discussions before it was finally approved in January 2014. My proposal called for a twelve week leave, June 9 to August 29.

Once on the other side of the approval process, and with my project in hand, I felt a weight of expectation and a desire to make full use of this time. I realized that I was enjoying a benefit not available to many in the workaday world. It pleased me that the University understood the importance of such a leave, or as it is stated in the call for applications: “Professional development is a strong value of the University community, and the Libraries support this value to the extent possible.” I was (and am) thankful to my colleagues and a university that makes such a leave possible.

The overall goal of my sabbatical was to complete at least one article deemed appropriate for publication in a peer-reviewed professional journal. My chosen subject was the closing of the University of Minnesota Library School, of which I am a graduate. For the last two years I have been researching and drafting a book-length manuscript on the closing. Following presentations, discussions, and consultations with colleagues, academic publishers, library/information studies faculty members, and administrators it seemed wise to focus attention on an article-length treatment of some of the issues raised by the Minnesota closing (which occurred in 1985). It also seemed prudent to attempt to put the closing into the broader contexts of library education and higher education. I spent the first weeks of my leave reviewing and reading the literature; the latter part of my time I wrote and read some more.

It was a productive twelve weeks. I completed an extensive literature review on library education and library school closings. The review covered 3,338 citations to books and articles related to library education, library history, historiography, and higher education. As a result of this review, I read fourteen books and 149 articles during the course of my leave. A final draft article on library school closures of 12,516 words was completed. This article went to six readers for review and comment—two library educators, a history professor, a publisher, editor, and LIS graduate student. Some reader feedback has been received, with the remainder expected later this fall. I plan to submit the article for publication before the end of the year. A second article, not related to my major project, was drafted and submitted to editors at American Libraries in response to a general invitation received on social media. A third article, still in its early stages, was begun as follow-up to a panel presentation I made at this summer’s Association of College and Research Libraries/Rare Books and Manuscripts Section Preconference in Las Vegas. The article’s focus is on potential futures in special collections, rare books, or archival work for early career professionals. I hope to finish this article by early winter and submit it for publication.

My choice of venue for all this reading and writing was the highly acclaimed University of Minnesota Landscape Arboretum. The Arboretum is about eleven miles from my home and offered an ideal setting away from those distractions of domestic life: an urge to mow the yard, weed the garden, or wet a fishing line in one of the state’s alluring lakes. The Arboretum’s Horticultural Library provided the perfect environment for quiet, uninterrupted work. When not working in the library, I often set up at an outdoor pavilion, picnic table, or bench near one of the trails. To clear my head, or ponder some reading, I took to the trails and stretched my legs. The Arboretum was a perfect place to spend my leave. Two other venues saw the balance of my work: home and a lakeside cabin near Garrison, Minnesota. I rested and exercised—in the fullest sense of those words—during my leave and came away physically, emotionally, and intellectually refreshed.

The feeling of peacefulness or rest inspired by the Arboretum fed a more timeless sense of sabbatical, one that I cherish and honor—“of the nature of a Sabbath or period of rest.” The Oxford English Dictionary informs me that the word “sabbatical” entered the English language in 1599. But the ethical or justice issues associated with this word have a much longer heritage and ancient use. The academic use of the term sabbatical continues to carry this premodern sensibility, if in a slightly altered form. A sense of release and freedom, of letting the land of everyday concerns lie fallow, was palpable. At the same time, a new sense of daily discipline laden with different expectations was unmistakably evident. There was vitality in this newfound tension between release and responsibility I found invigorating.

Part of this vitality was found in the almost daily reflections I had on the nature of librarianship as a profession. Some of the many articles and books I read during my break speculated whether we could use “profession” or “professional” to describe our work. I believe it is a profession, even if I might choose “vocation” to describe my own entry into this world thirty-three years ago. It is a world that wrestles with many of the same issues it did decades ago: recruitment, appropriate education or credentialing, accreditation, job markets and placement, continuing education, academic freedom, censorship, image and stereotypes, public support and funding, advocacy, technological impacts, values and ethics. Through all the permutations and experiences there remain a set of core values. Part of my questioning and pondering during this break from routine revolved around this question: what are the profession’s core values?

On a cabinet in my office is taped a single sheet of paper with what might be described as my modus operandi: Collect stuff + Describe stuff + Preserve stuff + House stuff = Accessible stuff. It is, I readily admit, a simplistic motto. Each action word is freighted with decades, if not centuries, of thought, careful study, conversation, writing, and resolution of what these activities mean in the context of life in this profession. At the same time, this maxim describes much of what I do as a librarian/curator. I am a creature of my culture and responsible for the stewardship of a small portion of this cultural estate. How I go about my task is informed by who I am, my training and experience, institutional goals and priorities, political and economic realities, professional and governmental initiatives, and much more. My professional core values live in this milieu. In them I live and move and have my being (or at least part of my being).

I was called to this profession following a year’s contemplation after college and from an answer to a question I received from a very helpful reference librarian who opened many doors for me as an undergraduate. My question: how can I do what you do? Her answer: the American Library Association (ALA) Directory pages listing accredited programs, an exhortation to closely examine each program, and an invitation to apply to the programs of my choosing. I am forever indebted for her answer. Living, as I was, in Michigan at the time, some might argue with my final choice of program, given the ultimate demise of Minnesota’s library school. But Minnesota did what I asked it and demanded it to do. I learned my craft at the feet of someone once termed a “young turk” and “more radical than many of the established leaders” in the profession. I practiced with some of the best subject bibliographers and archivists in the business. I watched a library system at war with itself while learning the basics of lobbying legislators, administrators, and regents in our attempt to save the program. My education as a professional happened both within and beyond the classroom. It was a valuable experience. I have no regrets.

Reflections on the profession of librarianship are, in some ways, autobiographical assertions. The profession is to us as we are to the profession. In the first quarter of my career I was professionally active, primarily on the state and local level. Living and working in Chicago for sixteen years provided an added bonus of additional professional activity and conferences, especially with both ALA and the Society of American Archivists headquartered in the city. The second and third quarters of my career were quieter on the professional front; my wife and I were busy raising a family. Family responsibilities did not allow for wide professional engagement; my priorities were different, my activities local. I am now in the final quarter of my working life. An empty nest, increased income, and fewer external obligations provide the opportunity for greater professional involvement. The sabbatical became one of my launching pads for reentering professional space.

My sabbatical created a new professional interest: library history. Like my choice of Minnesota for a graduate program, some might question this newfound attraction and relevance of a sub-specialty in a field increasingly dominated by technology. My answer might echo the words of Sherlock Holmes: “Art in the blood is liable to take the strangest forms.” In my case, it is history in the blood. My academic training outside of librarianship—undergraduate and graduate—was in history. My sabbatical brought with it a new resolution: it was time for me to become involved in ALA’s Library History Round Table.

Much of my reading during the sabbatical was in library history; it relates to my questions about the closing of the program at Minnesota. Among the many passages I read, these two quotations are a good sample and indicative of why I have become interested in this part of our profession:

• “History haunts me with a sense of lost opportunities.” (Louis Shores)
• “Historical study develops practical and political skills needed to assess what is going on today and to prepare for the future: it builds immunity to the destabilizing effects of future hype and current happenstance….The more we are confronted with the new, the greater our need for the wisdom and understanding that come from historical knowledge.” (Barbara L. Craig)

I intentionally left the question of professional core values to the end. What are those values? The American Library Association has a page on its website that addresses the question. But for me the answer comes back to the reference librarian who directed me to the profession in the first place. Her example, wisdom, expertise, presence, excitement, guidance, and much more were all the convincing I needed that this should be my profession, my calling.

Monday, April 14, 2014

On the Road with Sherlock Holmes


This past October one of our Friends of the Sherlock Holmes Collections attended the premiere of “The International Exhibition of Sherlock Holmes” at the Oregon Museum of Science and Industry (OMSI) in Portland. I was very pleased she could attend, especially as I was unable to travel west due to a previous engagement at the annual conference of the Minnesota Library Association. In February I had the opportunity to attend the second opening of the exhibit in Columbus, Ohio. It was a chance to see a dream realized. For the past three years I have worked with the team from Exhibits Development Group and Geoffrey Curley and Associates as a collections consultant to the project. My trip to the opening in Columbus was the first opportunity for me to see the final results of our work, and to follow Mr. Holmes across country in a tale Conan Doyle might have entitled “The Adventure of the International Exhibition.”

Even before the formal opening at OMSI, the show generated some “buzz” on social media. On the GeekDad blog senior editor Jonathan Liu wrote: “Today is the opening of the International Exhibition of Sherlock Holmes, a fantastic exhibit at the Oregon Museum of Science and Industry (OMSI) in Portland, Oregon. If you’re a fan of the good detective in any of his incarnations, this is an exhibit worth seeing. I got a sneak peek at the show yesterday, but I’ll definitely want to come back again with my family…” His post featured an image of one of our Hound manuscript leaves, one of the gems in the show. BBC American noted: “If you’re anywhere near Oregon over the next month, and you’re one of the growing army of fans of any of the various interpretations of Sir Arthur Conan Doyle’s Sherlock Holmes stories—who collectively should go by the name deductionists, by rights—there’s a treat coming your way.”

Excitement over the BBC/PBS Season Three television premiere of “Sherlock” fueled further interest in the Portland exhibition. Entertainment Weekly featured actor Benedict Cumberbatch on its cover along with an article by Clark Collis, “Mad About Sherlock.” The exhibition enjoyed a very successful opening run through early January. After its closing, staff prepared to move the exhibition to its second manifestation at the Center of Science and Industry (COSI) in Columbus, Ohio. I followed this transit with interest, trailing trucks and crates with my arrival in the Buckeye state in early February. I was there to participate in a media preview and VIP reception before the second opening of this extraordinary exhibit.

I arrived in Columbus on the heels of an eleven-inch snow storm. City workers dug through drifts and plowed streets as I settled into my hotel room across from the state capitol. On Thursday morning I walked the short distance to COSI, where I met Jaclyn Reynolds, Public Relations and Social Media Manager for COSI. Prior to my trip, Jaclyn and I discussed my participation in the media preview. An on-camera interview was set up with the local Fox television affiliate for their morning show, “Good Day Columbus.” On my arrival, Jaclyn introduced me to reporter Dana Turtle, who clued me in to what segments of the exhibition we’d be talking about on camera. These included displays related to the two television shows, “Sherlock” and “Elementary;” the Robert Downey, Jr. and Jude Law movies; items from the Collections (original artwork, books, and ephemera); and, finally, a crime scene recreated by the Minnesota Bureau of Criminal Apprehension. Unfortunately, there were some technical problems during broadcast (we were near the end of the exhibition and the long length of cable needed to support the camera and audio were not quite up to the task; blame it on Moriarty!). Our segment did go out on the airwaves, but was not used later on the web.

Following my interview I wandered through the exhibit, soaking in as much as I could during my first view of the completed show. It really is quite spectacular! Along the way I caught up with exhibit designer Geoffrey Curley and we reflected on the last three years of work together; it has been a great partnership. From there we moved next door where an English morning tea was set for those attending the media preview. Jaclyn commented that this was the largest group of attendees for such an event. Before the festivities began I had the chance to visit with local members of the Baker Street Irregulars who were present for the preview. The formal part of the event began with remarks from COSI chief executive officer Dr. David Chesebrough, who acknowledged me to the audience and thanked me for being a part of the opening. Chesebrough remarked that “COSI is excited to be the second host of this one-of-a-kind exhibition building on the compelling deductive reasoning of the favorite character, Sherlock Holmes. Guests will be able to immerse themselves into the world of Sherlock Holmes at 221B Baker Street and solve an apparent crime using the deductive thinking Holmes is known for.” His remarks were followed by others from Josh Kessler, COSI Project Manager for the Holmes exhibit; Geoffrey Curley; and Christine Mackin from Time Warner Cable, a major local sponsor. Kessler noted: “The great thing about this exhibition is the mixture of authentic Conan Doyle artifacts, pop culture pieces, and an interactive mystery you can solve in the manner of Sherlock Holmes. The exhibition immerses you in Victorian London and lets you to use the kinds of hands-on forensic science that Holmes himself would have used to solve the case.” Among the media representatives in attendance was a reporter for the New York Times. The show was gaining a national audience.

With the conclusion of formal remarks, attendees were invited to stroll through the exhibition. At the entrance to the show they were greeted by Mr. Holmes, portrayed by local actor John Kuhn. I stationed myself near the 221B sitting room where I had a chance to chat with reporters and have a few photographs taken with Geoffrey and members of the COSI staff. Taking advantage of my tablet and social media, I tweeted comments and photographs on Twitter. Many of these were “re-tweeted” by COSI. Later in the morning I did an on-camera interview with Jaclyn and Doug Buchanan, COSI's Education Programs Marketing Manager. Reporters stayed late into the morning and the preview wound down around noon. Later that day, Ken Gordon from the Columbus Dispatch issued the first print report. “Visitors to the Sherlock Holmes exhibition opening Saturday at COSI Columbus will be invited to help solve a mystery by the great detective himself.” Edward Rothstein from the New York Times published his report on Valentine’s Day.

A second event at COSI occurred Friday evening. This was billed as a VIP/Donor preview and, like the media event, the crowd was larger than many similar events at the museum. Mr. Holmes was once again in attendance, welcoming visitors to the evening’s festivities. Also in attendance were a number of forensic teams from the Columbus Police Department. They contacted the museum the moment they heard that the Holmes exhibition was coming to Columbus and wanted to be a part of the opening. Visitors had the chance to learn about modern forensic procedures and view tools of the trade. After welcoming remarks, attendees were free to explore the exhibition. Over the course of the evening I got caught up in the mystery that threads its way through the various rooms and, with notebook in hand, made my way through the various stations, gathering clues along the way.

My congratulations to everyone associated with the exhibition, notably Amy Noble Seitz and her staff at Exhibits Development Group; Geoffrey M. Curley and Cynthia Brown from GMC+A; and all the staff it was my privilege to meet at COSI, especially Jaclyn Reynolds and Josh Kessler. What began in creative sparks of conversation and a working title of Sherlock Holmes: The Science of Deduction has morphed into an engaging, educational, and entertaining production in The International Exhibition of Sherlock Holmes. I look forward to attending many more openings as the show makes its way across country and, perhaps, beyond our shores.

Friday, July 12, 2013

Of Violence at Meiringen


“Man longs for the gift of full vision, to see past and future as well as his present, and to see it all through his own eyes. And so, thousands of miles from home, after long expectation I had come, not for a waterfall per se, however scenic, but to find a historic spot, the end of a rocky path, a few square feet of blackish soil kept forever soft.” — Dr. Philip S. Hench, “Of Violence at Meiringen,” in Exploring Sherlock Holmes (1957)

A new exhibit opened July 11. It is the latest edition in a string of triennial exhibits I’ve curated, going back to 1998. Each exhibit has been about Sherlock Holmes and associated with what has now become a tradition: a triennial Holmesian conference. Each conference has had a theme—2001: A Sherlockian Odyssey; A River Runs By It: Holmes and Doyle in Minnesota (2004); Victorian Secrets and Edwardian Enigmas (2007); The Spirits of Sherlock Holmes (2010). This year’s theme is “Sherlock Holmes Through Time and Place.”

Although I’m using the conference theme as the exhibit title, I could very well have titled it “Of Violence at Meiringen,” as the entire exhibit focuses on a small point in time, a precise place, and a pair of remarkable scholar-collectors. The time is the 1950s; the place is the Reichenbach Falls and the nearby Swiss village of Meiringen; the scholar-collectors are Nobel laureate and Mayo Clinic physician Dr. Philip S. Hench and his wife, Mary Kahler Hench. Together, they explored the life, times, and places of Sherlock Holmes, including the area near Meiringen and the Reichenbach—site of the epic struggle between Holmes and his nemesis, Professor James Moriarty.

The violence Hench speaks of is connected to a number of events: the May 4, 1891 struggle at the Reichenbach Falls between Holmes and Moriary; the October 1891 fire that destroyed at least half of Meiringen’s buildings, with the loss of one life; and the realization, during a 1953 trip to Meiringen, that while memories of the fire remained, no one could remember the “Great Encounter” between the Master Detective and the Napoleon of Crime. Dr. Hench reflected on this literary violence:

To “murder” a man is crime enough: to “murder” the memory of a good man is worse. But to “murder” and then to bury the cherished memory of a great and good man, to destroy him, to tear him from the heart, to erase him from history and thus to eradicate all respectful memory of him (even if only from the knowledge of a single admirer, actual or potential), that is the worst of all. Surely, robbing a man of his “immortality” represents a violence against all humanity and justice. I could only wonder: has this happened to the memory of Sherlock Holmes, in Meiringen of all places! To neglect the memory of Sherlock Holmes, i.e., to forget him, is bad enough. But for those…pleasant people not even to know of him, that is even worse!... But however limited this area of ignorance (of Holmes) may be, and whatever excuse may be given for it, most surely a “crime” against the memory of Sherlock Holmes, and all that he still stands for, has been done in my presence this day!

The exhibit displays a number of prints collected by Dr. and Mrs. Hench during their trips to Switzerland; research notes, maps, and other materials gathered as they explored Meiringen and environs; copies of original printings of the Holmes adventure “The Final Problem”; materials documenting efforts by the Sherlock Holmes Society of London and the Norwegian Explorers of Minnesota to raise a memorial plaque at the site of the Holmes-Moriarty encounter; and items documenting the impact Holmes has on the tourism industry at Meiringen.

Dr. Hench later recounted his Swiss adventure as a chapter in Exploring Sherlock Holmes. He ended his account with these words:

Our plaque is, in effect, to serve as an envoy of good will, accredited to the Swiss in general, to Meiringen in particular. Bearing the names of the Sherlock Holmes Society of London and of the Norwegian Explorers, the plaque serves as a friendly symbol of mutual interests. The plaque carries the features of a mutual friend who, both in this and in another likeness, lived and labored among our three peoples. To those who follow us we commend his life, character, and achievements.

The violence at Meiringen was no more. Justice was done. Holmes lives!

Images of items from the exhibit will also be available for online viewing in the UMedia Archive. The exhibit runs until September 27.

Saturday, July 24, 2010

Allen Mackler on Collecting

These series of posts relate to one of our current Sherlock Holmes exhibits, "Through The Eyes of an Enthusiast -- The Allen Mackler Collection," on display through August 29 in the T. R. Anderson Gallery in Wilson Library at the University of Minnesota. The text comes from the accompanying exhibit booklet. Photographs are from the booklet and also of the exhibit.

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Allen, an avid member of many societies associated with Holmes, appeared in a Baker Street Journal (BSJ) report on the activities of The Red Circle of Washington D.C., which revealed yet another indication of his interests and depth of knowledge. This time it involved a quiz on "Canonical Courtship and Marriage." Allen was the winner. (Francine Morris and Wayne Swift, soon to be married, tied for second place.)

A later article from 1981 entitled "Collecting the Uncollectible" gives us a glimpse into the world of the collector, from Allen's perspective. In this case the items to be collected were phonograph records.

The impecunious collector...is always at the mercy of the factor of price, no matter what his field of interest. But in almost every field, not even a ready supply of cash will necessarily flush out a desired item, especially if it happens to be one never intended to serve as a collectible and is therefore not generally available to the public at large. Take for example the area of record collecting, in which I indulge myself in a small way. Here the affluent Sherlockian can with relative ease accumulate just about everything ever released commercially, and even perhaps lay his hands on what are referred to in the trade as "bootleg" items. But it requires considerable perseverance and no small amount of good fortune, rather than a prodigious bank account, to add to one's holdings certain legitimate recordings of more than marginal interest not likely to appear on the market under any circumstances, let alone for the delectation of avid collectors.

For Allen, it was his good fortune "to acquire for my own collection a full run of the series of Sherlock Holmes radio broadcasts featuring Carleton Hobbs as Holmes and Norman Shelley as Watson."

Thursday, July 22, 2010

Through The Eyes of an Enthusiast, Part 2

These series of posts relate to one of our current Sherlock Holmes exhibits, "Through The Eyes of an Enthusiast -- The Allen Mackler Collection," on display through August 29 in the T. R. Anderson Gallery in Wilson Library at the University of Minnesota. The text comes from the accompanying exhibit booklet. Photographs are from the booklet and also of the exhibit.

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The first hint of Allen that I find in the literature is from a 1975 article that appeared in Baker Street Miscellanea (BSM), "Carina: An Identification." In this piece we are pointed to another interest of Allen's -- classical music. As his obituary noted, "his first interest was in classical music. Recognizing that his talent at the piano wouldn't be adequate to achieve the goal he envisioned, he became the host of programs at Public Broadcasting Station WETA in Washington, DC focusing on the broadcast of rare recordings of classical music." Allen's article on Carina begins:

"It will be recalled in the account Watson recorded under the title of The Adventure of the Retired Colourman -- dated summer, 1898 -- that Sherlock Holmes invites the good doctor to hear Carina sing at Albert Hall. This reference has always troubled me because no mention of a singer with that name is made in Grove's Dictionary or any other musical reference work which I have consulted."

Allen goes on to solve the mystery and ends his piece with a poetic salute to musicians in the Sherlockian Canon.

The next time we see Allen, again on the pages of the BSM, is in a review of Rosenblatt and Sonnenschmidt's book Dining with Sherlock Holmes: A Baker Street Cookbook. Here is a different pointer to another of Allen's abiding interests: good food. He wrote:

"...when Holmes states that Mrs. Hudson's idea of breakfast is as good as a Scotchwoman's, he implies that not only will it be hearty, but that it will be sensible and maybe even utilitarian as well. All of this and much more about the gastronomic Holmes and about cooking and dining in Victorian Britain is explicated in the delightful, authoritative, and above all hunger-provoking commentary which appears before each group of recipes."

Case 1: The Great Illustrators
1. F. D. Steele illustration for The Hound of the Baskervilles, Limited Editions Club
2. F. D. Steele illustration for 1939 film, The Hound of the Baskervilles
3. S. Paget illustration for The Strand Magazine, No. 8, "all afternoon...stalls"
4. Charles Schulz cartoon strip, 12/30/93

Wednesday, July 21, 2010

Sherlock Holmes and Allen Mackler

At the moment there are three Sherlock Holmes exhibits on display in the University of Minnesota Libraries, all built around the theme for our August 6-8 conference, "The Spirits of Sherlock Holmes." My posts over the next days will talk about each one, taking text from the exhibit booklets and a few pictures I've taken of each exhibit.

I'll start with the exhibit that has been open since June "The Spirits of Sherlock Holmes: Through The Eyes of an Enthusiast ­-- The Allen Mackler Collection." This exhibit will be open through August 29th.

I met Allen Mackler for the first time in January 1998. I was about to make a public presentation, a part of the interview process for the position I eventually obtained --­ Curator of Special Collections & Rare Books at the University of Minnesota. Allen was seated in the front row. He was there because of his love of nineteenth century literature and his enthusiasm for Sherlock Holmes. The presentation was a bit unnerving, in part because it was the middle of the afternoon, I had just returned from the Middle East (still suffering from jet lag), and because Allen fell asleep during my talk. (I don’t think he would mind me telling the story.) It was, I found out, part of his charm. From that time onwards our paths crossed, often at Holmesian gatherings, or else during his wanderings through the library. Occasionally, he sought my advice on a specific book repair or to point out a particular volume (or to talk about the best place to find a hamburger). More than once we traveled to New York together, to attend the annual gathering of the Baker Street Irregulars. There was always something interesting that drew Allen’s attention (and which drew our attention to Allen).

Allen’s interests in Sherlock Holmes and Victorian literature are apparent in this exhibit. We are delighted to share a bit of his life through the contents of these cases and in the replica of the sitting room from that most famous London address, 221B Baker Street, found in the adjacent room. A separate booklet describes the sitting room and its fascination with Sherlockians.

We lost Allen five years ago, on December 29, 2005. His presence lives on through his collection, the sitting room, and his generous spirit. It also lives on through his writings and past reports of his activities within the Holmesian world.

Friday, August 14, 2009

A Man's Reach -- A Transforming Life, 76: A Final Word

Minnesota Book Awards, 2001, A Man's Reach. Courtesy Elmer L. and Eleanor J. Andersen Family

On April 20, 2001 Elmer was recognized by the Minnesota Center for the Book with an Honor Award for his memoir A Man's Reach, edited by Lori Sturdevant. "This Honor Award was created to recognize Minnesota books of unusual achievement or significance that fall outside the ten standing award categories. The Minnesota Book Awards committee is empowered to present up to three Honor Awards each year. A Man's Reach was the first book to receive this special honor since the award's creation in 1999 and is recognized as an important work that spans memoir and history in the retelling of extraordinary moments in the private and public life of Minnesota's leading citizen."

Toward the end of his speech at the Minnesota Book Awards, Elmer made this observation: "I think we're coming to the end of a materialistic age, where money was more important than anything else and the heart of a future is going to be in meetings like this. And in Minnesota, the heart of the culture is right here because it's in the expression of the poetry in the lives of people, the history of politics, the generations that have gone before that should stand as a springboard for future citizenship that will be more appreciative of our government, more respectful of the views of others, dedicated not to private gain but to public service for the welfare of all. That should be the mission of all of us."

This marks the end of the exhibit. We hope you've enjoyed this insight into the life of "Minnesota's leading citizen." We enjoyed the opportunity to share it with you.

Our special thanks to those who helped make this exhibit possible: the family of Elmer L. Andersen, the H. B. Fuller Company, and the Minnesota Historical Society. Special thanks as well to Katie Goetz for her tireless work in digging through the many boxes and files and finding some wonderful treasures; Darren Terpstra for his continuously amazing and delightful creativity and design; Karen Hoyle, Maggie Ragnow, Kathy Allen, and Elaine Challacombe for the initial ideas and assistance; and Kris Kiesling, Elmer L. Andersen Director of Archives and Special Collections, for her energizing support, ideas, humor, and so much more. It is a pleasure to count you all as colleagues.

Tim Johnson
Curator, Special Collections & Rare Books

A Man's Reach -- A Transforming Life, 75: Elmer and Eleanor

"Eleanor and I developed a way of relating to each other that has suited us well for nearly seventy years: We do not talk about everything. There ought to be a certain mystique about love and marriage. Talking about everything in great detail diminishes the mystery. Not all of life, of art, of music, of anything should be thrown out on the table and torn apart and dismembered. It is too precious. You sense music. You sense art. Some parts of life are better just experienced."

Courtesy Elmer L. and Eleanor J. Andersen Family

"A Man's Reach -- A Transforming Life" is on display through August 15 in the Exhibit Gallery, Elmer L. Andersen Library, University of Minnesota, Twin Cities Campus.

A Man's Reach -- A Transforming Life, 74: The Marching Song of Life

Elmer, 1980s

"I learned conventional Lutheran theology, the stuff of confirmation class and the catechism. The lessons were simple: faith, trust, service to others. Those ideas have affected my whole life. I trust people, and when I find people I cannot trust, I do not react against them. I just avoid them. I learned at church that every human being has great potential. There is a great deal of good in everybody, and there is potential for evil in everybody. What makes the difference is the environment in which people are placed. In all my relationships, particularly in business, I have tried to place people in situations in which it is easy for them to be at their best."

"To me, religious faith is the marching song of life. It is what appeals to something deep within you that you do not quite fully understand but that holds the potential of making something finer or nobler of you."

"The Lutheran Church taught more than theology. From it I learned a way of life that has stayed with me longer than some church doctrines have. It was a life that required a great deal of people. One was always to be honest, decent, kind, generous, civil. Those strictures were so imbedded in me that I did not think of behaving any other way."

Courtesy H. B. Fuller Company

"A Man's Reach -- A Transforming Life" is on display through August 15 in the Exhibit Gallery, Elmer L. Andersen Library, University of Minnesota, Twin Cities Campus.

Thursday, August 13, 2009

A Man's Reach -- A Transforming Life, 73: The Kelmscott Chaucer

Chaucer, Geoffrey, d. 1400. The Works of Geoffrey Chaucer: now newly imprinted. Hammersmith [Eng.] : William Morris at the Kelmscott Press, 1896.


425 copies on paper; 13 on vellum. This copy on paper. One of 48 copies bound in white pigskin over wooden boards by the Doves Bindery.

"When I began to think about the next owner of my books, I checked with the University of Minnesota to see whether its collection included a Kelmscott Chaucer. I knew another Minnesota book collector…had one—not bound in pigskin, as mine was, but in heavy board binding. I never told him I had a pigskin-bound copy, because I wanted to spare him the jealousy. I thought he intended to give his Chaucer to the university, but it went instead to the Minneapolis Institute of Arts. So, a few years ago, I surprised Austin McLean, then the university's curator of special collections, with a personal visit. I laid the Kelmscott Chaucer on his desk."

This volume is one of the most treasured gifts from Governor Andersen to the University.

University of Minnesota Libraries, Rare Books Flat/v 822C39 IM83b

"A Man's Reach -- A Transforming Life" is on display through August 15 in the Exhibit Gallery, Elmer L. Andersen Library, University of Minnesota, Twin Cities Campus.

A Man's Reach -- A Transforming Life, 72: I Trust To Be Believed

I Trust To Be Believed. Edited by Lori Sturdevant. Minneapolis: Nodin Press, 2004.

Manuscripts and transcriptions of recorded addresses given by Elmer Andersen from 1949 to 2003 on a variety of topics. Includes comments on the continued relevance of these issues in the 21st century.

University of Minnesota Libraries, Andersen Collection

"A Man's Reach -- A Transforming Life" is on display through August 15 in the Exhibit Gallery, Elmer L. Andersen Library, University of Minnesota, Twin Cities Campus.

Wednesday, August 12, 2009

A Man's Reach -- A Transforming Life, 71: What nobler purpose...

Whittington Press broadside for Elmer on the naming of the Elmer L. Andersen Library at the University of Minnesota

"What nobler purpose can there be for a University than to gather up the prizes of a culture—preserve them, propagate them, make them available—so that the best of what has gone before can be preserved and built on?"

Courtesy Elmer L. and Eleanor J. Andersen Family

"A Man's Reach -- A Transforming Life" is on display through August 15 in the Exhibit Gallery, Elmer L. Andersen Library, University of Minnesota, Twin Cities Campus.

Tuesday, August 11, 2009

A Man's Reach -- A Transforming Life, 70: His Library

Elmer in his library at home.

"Even in my youth, I did not buy books casually. In my mind, I was building a library. My intention was to read my books, know them well, catalog them, and care for them. I still have the little book in which I recorded every book I bought. I would put a little red-bordered, numbered sticker in each book and then record the number in my little catalog, along with the book's name and author, how much I paid for it, and sometimes, where I got it."

Courtesy Elmer L. and Eleanor J. Andersen Family

"A Man's Reach -- A Transforming Life" is on display through August 15 in the Exhibit Gallery, Elmer L. Andersen Library, University of Minnesota, Twin Cities Campus.

A Man's Reach -- A Transforming Life, 69: Elmer Loves Books

Minnesota Library Association, Distinguished Achievement Award, 1994

"Recently a high school boy called on us. He said he and fifteen other young people were trying to raise $5,000 for a library fund at a school district some distance from our home. He came because a friend of mine told him, 'Elmer Andersen loves books. You ought to see Elmer.'"

Courtesy Elmer L. and Eleanor J. Andersen Family

"A Man's Reach -- A Transforming Life" is on display through August 15 in the Exhibit Gallery, Elmer L. Andersen Library, University of Minnesota, Twin Cities Campus.

Monday, August 10, 2009

A Man's Reach -- A Transforming Life, 68: Whittington Press

Whittington Press broadside, from an essay by Elmer, with engraving by Gaylord Schanilec, 1989

"Excellence in book publication is not confined to the nineteenth century. Through a dealer named Jim Sitter, I became acquainted with the work of the Whittington Press in England. Whittington is operated by John and Rosalind Randle, a husband-wife team. I became their eager customer." Later, in order to raise money for the press, the Randles offered their archival collection for sale. "The archival collection included not only a copy of every book Whittington had published but a copy of every variation in binding and paper quality produced. The collection also included manuscript material and correspondence with authors….I bought the collection and gave it to the University of Minnesota."

Courtesy Elmer L. and Eleanor J. Andersen Family

"A Man's Reach -- A Transforming Life" is on display through August 15 in the Exhibit Gallery, Elmer L. Andersen Library, University of Minnesota, Twin Cities Campus.

Friday, August 7, 2009

A Man's Reach -- A Transforming Life, 67: Arboretum Library

Ampersand Club broadside, talk at the Landscape Arboretum, 1982

"...Then I asked Eleanor, 'Wouldn't it be fun if we could be identified with the library portion of the [Synder] building [at the Arboretum]?' She could not help but concur. I had already started collecting rare books about horticulture. A library is books. I did not wait for the construction of a building to start amassing the books to fill it."

Courtesy Elmer L. and Eleanor J. Andersen Family

"A Man's Reach -- A Transforming Life" is on display through August 15 in the Exhibit Gallery, Elmer L. Andersen Library, University of Minnesota, Twin Cities Campus.

A Man's Reach -- A Transforming Life, 66: Kelmscott Press

Bieler Press broadside, Kelmscott Press & William Morris, exhibit, 1981

"In everything he did, [Morris] pursued the highest standard of quality. Morris became a printer late in life and established the Kelmscott Press at Hammersmith, England, to print fine books….Kelmscott Press printed 54 items, all of them classics. The Kelmscott Chaucer was the top work of these 54. At one time, I had a complete set of all 54, including Chaucer—not the vellum edition that I so badly wanted, but the pigskin-bound paper version that was published in 1896."

Courtesy Elmer L. and Eleanor J. Andersen Family

"A Man's Reach -- A Transforming Life" is on display through August 15 in the Exhibit Gallery, Elmer L. Andersen Library, University of Minnesota, Twin Cities Campus.

Thursday, August 6, 2009

A Man's Reach -- A Transforming Life, 65: William Morris

Portrait of William Morris by Barry Moser

"As I came to know more about fine printing and fine printers, I learned that William Morris of the Kelmscott Press was among history's best….He had more influence on printing in the world, not only in England but in Europe and in the United States, than anybody."

Courtesy Elmer L. and Eleanor J. Andersen Family

"A Man's Reach -- A Transforming Life" is on display through August 15 in the Exhibit Gallery, Elmer L. Andersen Library, University of Minnesota, Twin Cities Campus.

A Man's Reach -- A Transforming Life, 64: Erasmus

Portrait of Erasmus

"Desiderius Erasmus, who is my favorite character, was a great scholar of the Reformation. His portrait hangs on our library wall. He wrote a wonderful little piece called In Praise of Folly. Erasmus satirically praises all kinds of folly, including his own. He mentions himself by name and lists his faults. Out of it comes the message that this is life. This is humanity. We have to be tolerant, even as we try to improve. All of us can do better. That is the purpose of life: to try to live better with each other, to try to live better with ourselves, to try to live better with all with whom we come in contact. We must recognize folly because it exists and can point the way toward improvement. You do not fight it. You do not fight life; you enjoy life."

Courtesy Elmer L. and Eleanor J. Andersen Family

"A Man's Reach -- A Transforming Life" is on display through August 15 in the Exhibit Gallery, Elmer L. Andersen Library, University of Minnesota, Twin Cities Campus.

Wednesday, August 5, 2009

A Man's Reach -- A Transforming Life, 63: Love of Books

Elmer L. Andersen reading at his desk

"Aunt Lillian may have been the first person to inspire in me a love of books and a desire to collect them."

"Through a long life, a number of constants have grown dearer with time. Among them is the joy I find in books. I have been a book collector my entire adult life."

"The craving to own books, not just read them, did not pass with childhood. As a young traveling salesman in Minneapolis in the fall of 1928, I saved my loose change and then spent it on books. I always wanted nice books, but in those early years, I could not afford new ones. Instead, I scoured through Salvation Army or Goodwill Industries stores for high-quality secondhand books."

Courtesy Minnesota Historical Society

"A Man's Reach -- A Transforming Life" is on display through August 15 in the Exhibit Gallery, Elmer L. Andersen Library, University of Minnesota, Twin Cities Campus.